Pixels Fest contest of digital video art open call
Call for projects organizer

Russian Federation, 1 calls for projects, 0 reviews, 0 comments
Description
Applications for participation in the first stage of the competition are open from September 5 and will last until December 5, 2019. Applications are accepted on the website: http://www.pixelsfest.com
Global technologization of the planet, introduction of algorithms and machines at all levels of our everyday life is often perceived pessimistically, and further scenarios of the evolution of human lives, society and planet in general, proposed by philosophers and journalists, often look horrendous.
But there may be another, utopian, alternative and imaginary vision of the future. The word “Utopia” in our case means that we encourage the artists to reflect both on “positive” ideas and speculative theories related to technological future.
The Festival organizers invite participating artists to reflect on both positive "Utopian options” for the future as well as general speculative theories about the technological future we face.
The international jury will select 15 works that will be included in the main program of the Festival and will be presented at the media facade of the Yeltsin Center from March 7 to 15, 2020. The three finalists whose works receive the highest ratings from the jury, will receive a cash reward of 140,000 rubles ($ 2,172). Works that are not included in the main program, but which passed the second stage of the competition and meet all the requirements, will be presented as part of a special festival show.
The venue and partner of the Festival is the Yeltsin Center, a unique cultural and public space known throughout the country. The Center is equipped with a media facade, the area of which is 2,200 square meters. Almost the entire surface of the building is a huge video screen.
Categories of the Contest
- Generative video-art
- 2D and 3D animation made by digital/mostly digital means
- Other types of animation/video-art (frame-by-frame, classical, collage etc.).
Rounds of the contest
Round 1
September 5, 2019 to December 5, 2019 (05.09.19–05.12.19)
Call for applications with the Teaser (not less than 15 seconds).
The international jury forms the long-list of the participants based on the results of Round 1; the contestants , selected for the second round, will be informed via email.
Round 2
December 20, 2019 to January 31, 2020 (20.12.19–31.01.20)
Call for full-length artworks (not less than 30 seconds and up to 10 minutes).
The international jury chooses the winners of the Round 2 who will receive cash prizes, and finalizes the list of artworks to be demonstrated on the media façade during the festival
Conditions:
- Use of specific shape of the buildings as part of artistic concept
- The submitted artworks must reflect the theme of the contest or to be in dialogue with the related topics
- More than 70% of the work is to contain animated elements (non-static) .
- Submitted artworks may have sound components
- Submitted artworks should not contain subtitles
- The submitted artworks must meet the technical requirements.
- Each participant can send up to 3 artworks for the contest.
Selection Criteria
- Proficiency in modern visual art language
- Use of digital means techniques
- High quality of the artwork
- High aesthetical value of the work.
- Use of specific shape of the building as a part of artistic concept
- Meeting technical requirements
- Reflecting the theme of the festival
Winners:
As a result of an open vote by the jury, 15 works will be chosen to be included in the main program of the Festival. These will be presented at the Yeltsin Center media facade from March 7 to 15, 2020. The three finalists whose works receive the highest ratings from the jury will receive a cash reward of 140,000 rubles ($ 2,172). Works that are not included in the main program, but which have passed in the second round of the competition and meet all the requirements, will be presented as part of a special Festival show.
Also, in the framework of online voting, one winner will be chosen and shown on the Festival website who will receive a special prize from the Channel 2x2, and his or her work will be presented at the media facade along with the rest of the competition winners.
Jury
2х2 TV Channel, General Director
organizer of animation festivals and exhibitions of Russian artists, curator of educational programs in animation and motion design.
Director of the Yeltsin Center Art gallery, curator
Deputy-director of the Yeltsin Center museum on exhibition management. Member of the Expert Council of the Garage Museum of Contemporary Art 2017/2018 grant program. Participant of the Expert’s Panel for the prize for young artists of Cosmoscow 2018 Fair.
Independent curator, media artist
new media art researcher, founder and curator of the PlumsFest festival for audiovisual arts. Co-organizer and curator of many festivals and exhibitions in the field of technological art, participant of exhibitions and festivals of media and video art, both in Russia and abroad.
Head of the B E R N A S K O N I bureau
Repeatedly participated in the Venice Architectural Biennale and other international exhibitions. The author of innovative multifunctional building HyperCube and MATREX in Skolkovo.
Founder of Studio Joanie Lemercier
French artist primarily focused on projections of light in space and its influence on our perception. Lemercier turned his focus on installations and gallery work, and exhibited at China Museum of Digital Art (Beijing), Art Basel Miami and Sundance film festival 2013.
The head of Studio Joanie Lemercier
Since 2009, she has been applying her skills to the digital art scene. Quest curator for the exhibition of STRP festival 2019 in Eindhoven. In 2019 she co founded SALOON Brussels, network for women working in the art scenes.
Media-Artist, Curator, Creative Director and co-founder of URBANSCREEN
URBANSCREEN is famous for video installations on the facade of the Sydney Opera House, Hamburg Museum of Modern Art, and video artworks for light festivals in Luxembourg, Berlin and Sao Paulo. As the co-founder of URBANSCREEN, he is considered one of the pioneers of projection mapping.